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  • Advanced Twixtor Pro: better results using mattes and splines in After Effects

    Link
    Description

    Flashback Japan's tutorial series "Creators' View" features a Japanese video director Koutaro Takano to provide in-depth review and explanation of Twixtor.  This is our adaptation of their tutorial on how to utilize the Twixtor Pro features to create speed changes in footage.
    Special Thanks to Flashback Japan for creating the Original version.
    Adapted by:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/twixtor/
    Flashback Japan's tutorial series "Creators' View" features a Japanese video director Koutaro Takano to provide in-depth review and explanation of Twixtor.  This is our adaptation of their tutorial on how to utilize the Twixtor Pro features to create speed changes in footage.
    Special Thanks to Flashback Japan for creating the Original version.

    This Tutorial Includes
    • Video
    See Tutorial
  • RE:Match Non-matching Cameras in Premiere Pro

    Link
    Description

    In this tutorial, Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro.

    This Tutorial Includes
    • Video
    See Tutorial
  • Exporting 3D Renders out of C4D for our plugins: Part 2 - More Passes

    Link
    Description

     

    This tutorial shows how how to set up a project in Cinema 4D to get the best results for use with RE:Map UV and RSMB Pro Vectors, Smoothkit ZBlur, RE:Fill and Shade Shape in After Effects (although you can use other host applications for compositing and some of this will apply to other plugins). 
    Special Thanks to Patrick Goski at Maxon.net for creating & providing the C4D sample project and for his support 24/7.

     

    This tutorial shows how how to set up a project in Cinema 4D to get the best results for use with RE:Map UV and RSMB Pro Vectors, Smoothkit ZBlur, RE:Fill and Shade Shape in After Effects (although you can use other host applications for compositing and some of this will apply to other plugins). 

    Special Thanks to Patrick Goski at Maxon.net for creating & providing the C4D sample project and for his support 24/7.

    This Tutorial Includes
    • Video
    See Tutorial
  • RE:Vision Effects products with Cinema4D

    Link
    Description

    Assigning a Coverage Alpha Matte to the Control Source

    Some of our products work from image data rendered from a 3D renderer. Here are notes about Motion Vectors but they apply as well to exporting surface normals or UV maps…

    This Tutorial Includes
    • Web Pages
    See Tutorial
  • Introduction to RE:Match Stereo

    Link
    Description

    Description:This tutorial covers the basic concepts and use for RE:Match Stereo

    Credits:We would like to thank the following for providing footage:
    Jaime Fernández Miranda - jim-box.com.

    Some material was licensed from Mammoth HD - mammothhd-3d.com/

    Thank you to Werner Bloos  info@digi-dat.de for providingFootage 

    OriginalMusic by Bob Bralove, bobbralove.comAlso, thanks to Anthony Magliocco additional footage. 

    This Tutorial Includes
    • Video
    See Tutorial
  • Introduction to RE:Match Color

    Link
    Description

     

    This tutorial covers the basic concepts and use for RE:Match Multicam
    Credits:
    We would like to thank the following for providing footage:
    Some material was licensed from Mammoth HD - mammothhd-3d.com/
    The horses are from Trey Ratcliff of stuckincustoms.com
    And also, thanks to Ami Sun for additional footage.
     
    Author:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/rematch/

    This tutorial covers the basic concepts and use for RE:Match Color.

    Credits:We would like to thank the following for providing footage:Some material was licensed from Mammoth HD - mammothhd-3d.com/

    The horses are from Trey Ratcliff of stuckincustoms.com

    Also, thanks to Ami Sun for additional footage. 

     

    This Tutorial Includes
    • Video
    See Tutorial
  • Exporting 3d renders out of C4D for our plugins : Part 1 - Motion Vectors and UV Maps

    Link
    Description

     

    This tutorial shows how how to set up a project in Cinema 4D to get the best results for use with RE:Map UV and RSMB Pro Vectors in After Effects (although you can use other host applications for compositing and some of this will apply to other plugins). A Sample project is included using After Effects.
    Special Thanks to Patrick Goski at Maxon.net for creating & providing the C4D sample project and for his support 24/7.

    This tutorial shows how how to set up a project in Cinema 4D to get the best results for use with RE:Map UV and RSMB Pro Vectors in After Effects (although you can use other host applications for compositing and some of this will apply to other plugins). A Sample project is included using After Effects.

    Special Thanks to Patrick Goski at Maxon.net for creating & providing the C4D sample project and for his support 24/7.

     

    This Tutorial Includes
    • Video
    • ZIP File
    See Tutorial
  • Lip-Synch with Twixtor in Final Cut Pro X- Key framed alignment of video to audio

    Link
    Description

     

    This tutorial covers the basic concept of timewarping a video track to a different audio track using Twixtor. As example, we lip-synch an outdoor shoot to a studio recording. This method could also be used to sync video to another video track
    Author:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/twixtor/
    Additional Credits:
    A special thank you goes out to Christopher Hawley.
    (www.ChristopherHawley.net) for letting me shoot footage of you singing/playing "Dance all Day" for this tutorial.

     

    This tutorial covers the basic concept of timewarping a video track to a different audio track using Twixtor. As example, we lip-synch an outdoor shoot to a studio recording. This method could also be used to sync video to another video track
    Author:  Lori FreitagCompany:

    Additional Credits:A special thank you goes out to Christopher Hawley.(www.ChristopherHawley.net) for letting me shoot footage of you singing/playing "Dance all Day" for this tutorial.

    This Tutorial Includes
    • Video
    See Tutorial
  • Frame Rate Conversions in Twixtor within Premiere Pro (done in CS5)

    Link
    Description

     

    This tutorial shows how how to do a Frame rate conversion if the Input and the Output are  both Progressive.
    Special Thanks to Banditos Brothers for providing footage - www.banditobrothers.com
     Also, special thanks to Rickard Bengtsson for allowing us to use his water balloon footage  www.vimeo.com/rbengtsson.

    This tutorial shows how how to do a Frame rate conversion if the Input and the Output are  both Progressive.
    Special Thanks to Banditos Brothers for providing footage. www.banditobrothers.com

    Special Thanks to Rickard Bengtsson for allowing us to use his water balloon footage. www.vimeo.com/rbengtsson. 

    This Tutorial Includes
    • Video
    See Tutorial
  • Frame Rate Conversions in Twixtor within FCP X

    Link
    Description

     

    This tutorial shows how how to do a Frame rate conversion if the Input and the Output are  both Progressive.
    Footage provided by Banditos Brothers - www.banditobrothers.com

    This tutorial shows how how to do a Frame rate conversion including interlaced and progressive input and output settings. Use this tutorial for Twixtor v5.4 and up.

    If you are using versions earlier than Twixtor v5.4, then watch this link: http://www.youtube.com/watch?v=vML1oHCbP-U&list=PL6259C7867889AC48


    Footage provided by Banditos Brothers - www.banditobrothers.com

     

    This Tutorial Includes
    • Video
    See Tutorial
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